This comprehensive volume is dedicated to the systematic study and presentation of Tsha-Tsha—the devotional art of molded clay sculptures originating from India. A cherished relic of Silk Road cultural exchange, Tsha-Tsha entered Tibet around the 7th century and spread along these ancient trade routes, becoming a significant medium for the fusion of Buddhist art with indigenous Chinese culture.

The book traces the stylistic evolution of Tsha-Tsha across the Tang, Song, Yuan, Ming, and Qing dynasties. Featuring over 300 exquisite pieces supported by detailed commentary, it vividly illustrates the distinct artistic characteristics of different regions and periods. It showcases extraordinary rarities such as a 30-centimeter tall painted Pure Land of Padmasambhava, and analyzes highly sought-after categories like "Famous Tsha-Tsha" (made by revered lamas) and "Official Tsha-Tsha" (commissioned by authorities), underscoring their significant artistic and market value.

Yet, this work is more than a lavish art catalog. It includes incisive academic essays that delve into the origins, dissemination, cultural significance, and religious functions of Tsha-Tsha within Tibetan Buddhism. The book highlights how these objects served not only as tools for accumulating merit for devotees but also as a popular folk art form, reflecting a deep connection with communities along the Silk Road.

By exploring these "Buddhist kingdoms in the palm," Silk Road Relics masterfully reveals the profound impact of the Silk Road in transmitting Buddhist art. A synthesis of culture, history, art, and scholarship, this book is an indispensable resource for scholars and enthusiasts of Buddhist art, Silk Road culture, and ancient crafts.

Text in Chinese, profusely illustrated with color photos. 

2020, Beijing, Cultural Relics Publishing House, hardcover, as new.