This book collects 323 tsha-tshas from different periods, regions, and stylistic forms. Rich in variety and diverse in form, it serves as important physical material for the study of Tibetan Buddhist statue art. Tsha-tsha specifically refers to small clay statues and stupas produced by printing or mold-making, with a small number featuring Tibetan or Sanskrit scriptures and mantras. The primary material used for making tsha-tshas is clay, mostly sourced locally. Depending on the soil quality of each region, tsha-tshas vary in color. Tsha-tshas hold special significance in Tibetan Buddhist statue art. Due to their small size, light weight, and ease of production, they could be conveniently carried to various places, exhibiting strong folk characteristics and widespread popularity. They played an important role in the dissemination of Tibetan Buddhist statue art by serving as visual references and facilitating its spread. Text in Chinese, fully illustrated with color photos.

2002, Beijing Arts and Photography Publishing House, 208pp., harcover, slipcase, slight edge wear.